Yang

At first glance, Yang appears abstract — a rhythmic ink composition circling toward a central void. But step closer, and the surface reveals itself: hundreds of minuscule hand-drawn figures, each in motion, together forming a near-perfect ring.

Onaiz Taji’s work rewards attention. This is a meditation on collectivity and silence — the tension between chaos and stillness. The centre remains untouched by form, holding only pure colour — a quiet core surrounded by the noise of life.